Books about writing part I

As an academic, writing is a pretty integral part of my job, and can be a make-or-break factor in getting articles through the Portals of Publication (aka peer review and journal editors) and getting grant proposals through the Gateways of Green (aka grant reviewing commitees). Bottom line is that you can't overemphasize the importance of writing.

In learning how to develop your own style of writing in academia, you're often left with few alternatives beyond emulating the style of your advisor, or to pick and choose from the core articles in your reference literature. In my experience, this is how most graduate students get started with their writing, and there's nothing wrong with that, provided you do get some input from your advisor and perhaps also from your peers. Sure - there exist courses on scientific writing, but you might not have the opportunity or inclination to follow one. Before grad school they might not have any appeal, and once you're enrolled in grad school, odds are your department won't allow a scientific writing course count towards your required course load. Luckily there are some awesome books which make developing your own voice easier. In this miniseries I'm going to describe some books I've found to be helpful, starting with:

A Writer's Reference - Fifth Edition by Diana Hacker
This book is a freakin' treasure of a reference manual. It even lies flat so it's easy to consult while reading or revising a draft. Each subsection is clearly marked with a tab and an intuitive title such as "C: Composing and Revising", "D: Document Design", "S: Sentence Style", "W: Word Choice" etc. The chapter about composing and revising actually inspired me to try some new approaches to writing papers, and the sections on sentence style and grammatical sentences. This book is gonna lie open on my desk while I work on manuscripts on Wednesday.

You NEED this book!

"Blind Test" question/category

Piggybank and Cathy: Here's an idea for the next "Blind Test" - let's have a yay or nay. Anders - throw your hat into the ring as well.

I'm thinkin' about a category where I play guitar parts from famous, guitaroriented songs. Let's say the song is "Sweet Child Of Mine" with Guns'N Roses. I'll start by playing, say, the verse. If you guess the song, it's two points for you. If nobody gets that, I'll play the main riff that everybody and their mother have heard. Getting that yields one point. Get it? Difficulty and points are directly correlated. Bonus questions could also be involved.

Comments?

Deuce Books

.....both picked up in airport book stores, starting with:

Special Topics In Calamity Physics - Marisha Pessl (2006)
Why did I buy this book? First of all, the title appealed to me, second, it's a crime story taking place in North Carolina, and third, I vaguely remembered this book getting rave reviews by, the New York Times and pretty much everybody else. I thought it started really well, but then the main character, Blue Van Meer started to annoy the everloving crap out of me. Seeing as how the life stories of Blue Van Meer and Marisha Pessl shares too many similarities, including physical appearance, for this to be coincidental, Marisha Pessl started to annoy the crap out of me by extension. Why? The main character is a spoiled bookworm who compares herself to Jane Goodall when observing her classmates in the various prep schools she visits until ending up in good ol' NC. Which is kind of difficult to interpret as anything but her viewing herself as better than her classmates. Blue/Marisha takes all kinds of AP (that's Advanced Placement for y'all not familiar with the American educational system) level classes, and is quite frantic about writing down every word uttered by the instructors, which is indicative of learning by parroting, which is what you do if you're an overachiever with less than stellar mental faculties.

Her dad, Gareth Van Meer, always backs her up and whines to her teacher about how Blue is the ONLY choice for Valedictorian, and that the school has never seen the likes of his spawn's charisma, talent and overall Divine Presence. Gareth Van Meer is a perennial Visiting Professor/Lecturer who never stays at an any one academic institution for long. In the book, the reason is that he is so damn brilliant, and that everybody else is so far beneath him that their jealousy and incompetence simply makes it intolerable for him to honor their institution with His Immaculate Presence. Of course, anyone even vaguely familiar with the US academic system will recognize this as a sure-fire way to identify a grade-A, 100% guaran-damn-teed academic loser incapable of getting tenure.

At some point, Blue Van Meer is allowed access into the most exclusive society at the prep school - the Bluebloods - which consists of the most rich, spoiled and privileged kids, by way of a teacher. This society shares a startling number of similarities with the Life And Death Brigade in which Rory Gilmore gains access in the TV series Gilmore Girls - a storyline which aired in good time for Pessl to "borrow" from it. The one distinguishing feature of Blue Van Meer is her complete lack of personality - she becomes her surroundings like the true Tabula Rasa she is. One final annoyance from the book: referencing. Like the true overachiever she is, Pessl violates most rules for referencing by going completely overboard - if she writes "A bird was sitting in a tree outside my window" there'll be a reference after "bird" to "Encyclopedia of all living things, page whatever". Annoying, Thy name is Marisha Pessl.

The Dice Man - Luke Rhinehart (1971)
Picked this one up this month, as I thought the concept sounded really kewl. Psychiatrist Luke Rhinehart leads a normal family life until he accidentally notices that his success in treating patients is completely uncorrelated with psyciatric methods, after curing several patients by switching their case files and consequently their treatments (including mistaking one patient for his secretary). Rhinehart then starts to let a pair of dice govern every decision in his life, leading to some pretty bizarre behavior on his part. In theory, this is a way cool concept, but in actuality the novel reads like a second-rate work by Henry Miller, which means it's a second-rate copy of a poor imitation of Hamsun's "Hunger". And that ain't nothin' to be smilin' about - read Hamsun instead. Rhinehart - whose real name is George Cockcroft, which goes a long way towards explaining the use of an alias - wrote a cult bestseller with this book, said on the back sleeve to be "Funny, shocking and subversive". In the beginning it's funny, but never really goes anywhere. Meh.

Flash of the blindingly obvious

One of the three parties in the red-green coalition currently running Norway claims to be the go-to party for academically inclined people with a sense of social conscience and a concern for environmental issues. At least, this is how SV - the "socialist" party is portrayed. What was specifically promised before the election in 2005? The red-green coalition would be all about education, science and the environment. What have they accomplished?

• Norwegian universities and schools are dropping like anvils on international academic rankings. At the same time, an increasing number of colleges have gotten university status, thus effectively diverting the available funds and pushing the student quality toward the shallow end of the pool. Way to go!
• The allocations to the research council are lower and still dropping despite a stated goal of research activities contributing to 3% of the GNP by 2010. The solution: Push the deadline for this goal back ten years. In other words, don't make an effort to reach a goal, just lower the standards. Kudos!
• Norway was gonna be a beacon in the fight against climate changes and other environmental issues. As of December, both Denmark and Sweden spent five times more money on research into alternative energy. Norway, on the other hand, spends ten times more on petroleum research. And did I mention that the much-touted CO2 removal technologies were going to be in place before any gas-to-electricity power plants were to be put in active duty were swept under the rug? Congrats!

0 for 3 for the "socialist" party. Essentially, if you're an academic and you plan to vote for SV in hopes of improving anything concerning academia/education, research or the environment, you're either a masochist, or you need to get your head examined. Grand Theft Credibility.

To quote the late P.T. Barnum...

...there's one born every minute. 'Tis the season - albeit early - for diet fads. Checketh out the following story in Dagbladet: Gå ned 2 kilo til nyttår (Lose 2 kilos by New Year's eve). How do they propose you accomplish this? Why the Atkins diet, of course - here dubbed the "GI method", GI being Glycemic Index. In short; don't eat fast-acting carbohydrates (high GI), as cuttin' down on carbs will increase fat burning. Go with lo-carb and hi-protein. The Atkins diet is one of the quickest routes to weight loss, it says. Here in Norway, we have our own version of Atkins - "Dr." Fedon Lindberg, a fat but not jolly greek dude whose philosophy on diet coincides with that of Atkins (and on what bodybuilders have referred to as the ketosis diet since the fifties or sixties), with the added twist that what we typically eat in Norway is crap, while what he used to be fed by his mom when he was a kid in Greece is the perfect food. What are the odds.....

If you're looking for a diet strategy, you might want to check out Atkinsexposed.org, or simply google the guy. Simply put - stay as far away from this strategy as you possibly can. Any degree of common sense will tell you that a diet strategy in which eating unlimited amounts of butter, bacon and eggs probably isn't gonna do wonders for your health. The American Medical Association has issued an official condemnation of the Atkins diet, and if that isn't enough for ya, then consider this: Atkins developed a heart condition around 2000 and subsequently died from kidney failure.

Losing weight ain't rocket science. Losing fat and retaining muscle still ain't rocket science. Just stay in a slight caloric deficit while increasing the activity level over a long period of time will work wonders. Just don't think that there's a magic short-cut without severe consequences for your health. Like 'Cube says - chickety-check yo'self before you wreck yo'self.

The Simpsons Movie

Happy Holidays, y'all!

Got The Simpsons Movie (2007) for Christmas by my wife, and seeing as how I missed it in the theaters, I was really anticipating this one. It's been a long time comin', as the cliché goes.

Since I'm a sucker for all things Simpsons, I'm not really capable of giving an objective review of the movie, but if you like The Simpsons on TV, you'll like the movie. Simple as that. Sure - I'd have loved to see more of personal favorite characters (mostly done by Hank Azaria) such as Comic Book Guy, The Bumblebee Man, Professor Frink, Gil The Incompetent Salesman and of course Snake. Having Sideshow Bob in the movie would also have been kewl, Kelsey Grammer's schedule permitting. But that's just nitpicking. One good thing about waiting for the DVD is the bonus material. By that, I don't mean the "exclusive commentary from the gaffer" or "exclusive interview with that dude who brought Matt Groening a bagle back in 1995" - I'm talking about bona fide material, such as "Simpsons as American Idol judges". Real kewl stuff, I tells ya'!

Just watch it already....

Three more movies, y'all

Fantastic 4 - Rise Of The Silver Surfer
True; my flesh is trong but my spirit is weak - I wanted to watch this movie despite having seen the first one. Joke's on me and all that. The sad thing is that the sequel far surpasses the first one. Even worse, I can't guarantee that I won't rent the third installment which will inevitably show up.

Varg Veum - Bitre Blomster
A Norwegian movie, of all things, based on a novel by Gunnar Staalesen. The story takes place in Bergen, and the scenic shots are great. Kind of cool that I recognize a lot of the locations as well. Varg Veum is, quite frankly, the first Norwegian movie I've seen from after 1970 that I didn't think sucked donkey balls. Norwegian movies have for far too long been plagued by a shallow pool of horrible actors, the same two directors and the same storyline frankensteined between genres. Varg Veum sort of breaks the streak of Norwegian cinematic fiascos for me, so I might even start watching more domestic movies.

Harry Potter and the Order of the Phoenix
Fifth installment of the HP saga..........gettin' old, brother, gettin ooollllddd.

Evaluating Researchers

With the recent bickering about the ranking of universities and how or whether the emergence of a host of new universities in Norway has lowered the overall standard of higher education and research, I thought it would be kewl to shift the focus to the individual researcher. As an academic and a scientist, I'm being evaluated every time I submit a grant application, negotiate a raise, teach a class or submit a research article. Even more so when applying for a job within academia - when I applied for my present position, my credentials and academic potential was scrutinized by an international commitee which compared the merits of the applicants with the international standard for the same type of position. Since then, I've been evaluating researchers and graduate candidates myself in lower-level commitees (i.e. not for hiring of faculty members, but for PhD and post doc positions at two universities). From my own experience, it's sometimes been very hard to distinguish between candidates (conversely; some times it's hardly been a competition at all), and with commitee members emanating from different backgrounds, it can be quite an ordeal to agree on a common set of rules for how to evaluate researchers. Granted, this is a lot easier when evaluating candidates for a PhD position, as grades then become the primary measure. More specifically, a candidate might be evaluated by:

• Relevance and level of education: If you've got a BSc in art history and you're applying for a PhD scholarship in plasmonics, then you're 0 for 2.
• Grades: Nag and complain all you want about the relevance of grades, but unless you've got a better system of objectively evaluating the student's ability to learn new material in a given time frame and demonstrate the acquired knowledge at the end of this period, have a big, tall glass of stfu. The better the average grade, the better the student is at absorbing new information and demonstrating new knowledge. For one particular course there might be cases of "Man I got the worst luck on this exam", but averaged out over the fifty or so final exams you take during your undergraduate years...I don't think so.
• Relevant grades: If two students have equal/similar average grades but one has done poorly in introductory phisosophy while consistently having good grades in the topics most pertinent to the job description, while the other candidate has so-so grades in the relevant topics but excellent grades in all the perspective courses, then the selection process is a no-brainer.
• Relevant experience, other: If you've got relevant experience from industry or something which is pertinent to the job description, it definitely counts in your favor. However, being President of the Partying Down Chapter of the Student Union five years running probably only gives you a high risk of kidney failure or liver problems at an early age.

Post docs are often much more tricky to evaluate. The number of publications counts of course, but this has to be weighted against the number of years since graduating. Teaching experience may or may not be relevant depending on the position. For hiring new faculty members, I'm thinking the equation is even more complex, despite having more criteria to check off, like:

• Does the candidate fulfill the formal criteria. (i.e. does the applicant have a PhD from an accredited academic institution, and not just some diploma from some fictional university like University of South Ucklahoma - U. SUck)
• Teaching experience: Some countries and institutions only look at the teaching experience a candidate can put on a paper, while others require applicants to either have or to complete a pedagogic course within a specified time frame. Since the job description calls for 50% teaching (at least in Norway), it's a great idea on papyrus to introduce a pedagogic course in order to bring everybody up to a minimum required level. It's a great idea on paper...
• Management experience: ....'cause you're gonna have to do a lot of paperwork if you get a faculty position.
• Prospects of candidate: How valuable to the institution is the applicant going to be? The "Young and Promising" factor.
• Quality and productivity of research: The meat and potatoes of the competency.

The quality of the research and the productivity of the researcher can, as luck would have it, be evaluated semi-objectively through the publishing record. Or rather; by asking

1. How many publications does the candidate have?
2. What is the publication frequency?
3. Where does the candidate publish/median impact factor?
4. Where on the author list does the candidate consistently appear?

All these four questions are important, because the first two are related to the productivity of the researcher, the third is related to the quality of the research (assuming that a higher impact factor - roughly estimated as the number of expected citations after three years for a given journal - is correlated to quality and not just readership), and the fourth is indicative of the candidate's relative importance to the emergence of the research findings and subsequent publication (assuming the research group follows standard protocol for positioning authors). Most academics I've talked to agre that all these factors are determining, but agreeing on the weighting of these factors is more troublesome. Luckily, some physicist fella from UCSD at La Jolla named Jorge E. Hirsch published an article in Proceedings of the National Academy Of Sciences of the United States of America titled "An index to quantify an individual's scientific research output" (PNAS, 2005, 102(46), 16569-16572).

This index, typically referred to as the h-index or Hirsch-factor provides an objective bibliometric measure of the distribution of citations relative to the total number of peer-reviewed publications for a given researcher. Hirsch defines this index as "A scientist has index h if h of his Np papers have at least h citations each, and the other (Np - h) papers have at most h citations each". What's so cool about that? It looks at the overall publication trend of a researcher, which can then be used to see whether that one "Science" paper was a fluke, or whether this researcher really is this good. Moreover, the h-index is available as a tool on Web Of Science, making it easily accessible to other researchers. Awesome; I gotta get me some of that. Are there limitations? Sure - including but not limited to:

• Limited by the number of total publications. If a brilliant scientist churns out only five publications, but these five are sufficient to yield a Nobel prize and spawn new technologies or scientific paradigms, said scientist is still limited to h = 5.
• The h-index is sensitive to self-citations
• Does not in its present form limited by citation data bases; publications such as books do not count.
• Suffers from a time lag, meaning that the h-index for "new" academics is misleading.
• Does not account for the number of authors.
• Does not account for gratuitous authorship, in that it doesn't distinguish free-loaders from hard-working researchers

A number of people have made modifications to the h-index in order to overcome some of these difficulties, like the h-b index, wherein Michael Banks of the Max Planck Institute shifted the focus from author to topic: "For the case of a topic it is useful to define the h-b index in terms of the number of years, n as h = nm If the h-b index is linear with the number of years, then m is given as the gradient. In this respect, a compound or topic with a large m and h-b index can be defined as a hot topic". How much of an improvement is this? Not much, as far as I'm concerned, especially when the task at hand is ranking scientists. Besides, it doesn't take a genious or a spreadsheet to figure out that anything "nano" is going to have a higher h-b index than, say, phrenology. A more mathematical approach was taken by Leo Egghe in defining the g-factor: "Given a set of articles ranked in decreasing order of the number of citations that they received, the g-index is the (unique) largest number such that the top g articles received (together) at least g^2 citations". Note that the g-index suffers from approximately the same shortcomings as the h-index.

I am all for use of the h-index as a guideline, in case it wasnt obvious, as it provides a documented yardstick which is easily accessible for scientists. The fact that it only takes peer-reviewed work into consideration doesn't really detract from its usefulness in my opinion.

RIP Muddy Waters

Just got the news that my favorite beer joint and blues club from when I lived in Oslo, Muddy Waters, is closing after 8 1/2 year. The club is to be a part of yet another mall. Like Oslo needs a one more mall, even next door to GlasMagasinet. What a shame. I have some really good memories from that place.

'Tis The Season

It's almost Cristmas, dagnabit, so I thought I'd list some of my favorite Christmas music - the songs I've gotta hear in December. Y'all feel free to add yall's own favorites now, ya heah.

• Have Yourself A Merry Little Christmas - Lou Rawls
• O Helga Natt (O Holy Night) - Jussi Björling ( no other artist will do)
• White Christmas - Bing Crosby
• Let It Snow Let It Snow Let It Snow - Dean Martin
• The Christmas Song - Nat King Cole
• Nella Fantasia (Gabriel's Oboe) - Rein Alexander
• Last Christmas - Wham!
• Driving Home For Christmas - Chris Rea
• Sleigh Ride - Ella Fitzgerald
• Silent Night
• Det Lyser I Stille Grender
• Do They Know It's Christmas
• Happy X-mas (War Is Over) - John Lennon
• When You Wish Upon A Star
• Bella Notte
• Winter Wonderland - Dolly Parton
• Mistletoe & Wine - Cliff Richards
• Deilig Er Jorden
• Santa Claus Is Coming To Town
• Home For Christmas
• Julekveldsvisa - Nora Brockstedt
• Jingle Bells
• Julekveld I Skogen - Rolf Just Nilsen
• Christmas Time - Creation
• Sonjas Sang Til Julestjernen - Hanne Krogh

...and that makes 25

The Loaner - sound sample

So Reverend Willy Malmsteen (is that a blues name?) finally recorded a version of what started out as a Gary Moore inspired tune. As I understand it, the tune keeps changing so whether this is the final take or not, I don't know.

The tune itself started it's life, as w-boi says, when he was noodling around on some GM songs. And what I like about this one, is that when you start hearing the "obvious" GM song and know what's next, W. then throws in a little run or something as a twist. Which I really like; this separates a tune from being just a cover to something else.

Is it perfect? No, but it's a fun little tune that you really could do a lot with (which Riffin McWilly already has done by experimenting with different time signatures, added and removed things, etc).

So here is Le Samplé as they say in france, The Loaner:

Fracture

Really cool movie from 2007 starring Anthony Hopkins and Ryan Gosling. An engineer plans and executes the murder of his wife after finding out that she cheats on him with a guido/cabana boy/cop hybrid. He refuses legal council and represents himself, challenging the hotshot prosecutor to prove that he did in fact commit the murder.

Maybe it doesn't sound like much, but with awesome acting and a few surprising twists, this turned out to be a cool movie. It was refreshing to see Hopkins as anything but "I'm a cannibal and my name is Hannibal". Silence Of The Lambs was a really good movie, but by now we've had "Hannibal", "Red Dragon", "Christmas With The Lecters", "Hannibal: The Difficult Years", "How Hannibal Lecter Stole Christmas", "Alien Vs. Predator Vs. Jason Vs. Hannibal Lecter", "Mighty Morphin' Hannibal Lecter", "Return Of The Son Of The Director's Cut Of The Sequel To Hannibal Lecter" and "The Hills Wear Bifocals When They're Visiting The Village Where Hannibal Lecter Lives".

The Loaner - Teaser

The blues instrumental which I have been so uncharacteristically preoccupied with - and which has been keeping me from recording Caprice 24 - is almost recorded and done. By almost, I mean that I've recorded four takes, but that I need to record about ten more before I find one version I'm sufficiently happy with. One problem here is that I decided upon recording the entire piece in one take, which means four minutes per take. Normally, I would record sequences of anything between 2 and 12 bars, and mix them together after everythign is said and done, which saves a LOT of time compared to recording the entire thing. Depending on what music and what quality I'm after, I'll record anywhere between one and 50 takes per layer of guitar. I've got the option of copying layers for overdub purposes, but I'm way too hung up on being able to double the tracks exactly to accept that option, so I usually end up logging hours with the metronome instead. Good for technique, not so good for productivity. Seeing as how this is blues, or rather bluesy (right, Anders?), I'm thinking that I'll let some glitches slip right by.

One of the reasons I decided to record the entire thing in one take is that I wanted to play it in "free time". This decision came about after tinkering with multiple time signatures and listening to the results. First of all, I didn't feel that I managed to get one coherent mood or flow throughout the song by stop-starting the recording as I would inevitably do by recording, say, 12 bars at a time. Second, I struggled with making the piece sound the way I wanted to when adhering to typical blues time signatures like 12/8 or 6/8. Before you ask - yes; I do realize that these time signatures give quite different results, but I experimented with this a whole bunch. It just didn't sound right when I completely tracked the metronome. Maybe it's because I'm unfamiliar with blues time signatures or because no blues ever was recorded on time anyways - what do I know.

I wondered for a long time whether I was gonna have a backing track, but after several attempts, I just thought it sounded better as a solo piece. Who knows - maybe I'll modify it and add several voicings to it with time, but for now, it's one guitar, one take, one layer and one track.

Choosing the guitar was on the other hand very simple. From the first time I came up with the main theme, I gravitated towards my Ibanez S270, and I can't really conceive of using any of my other guitars for this. That mahogany tone is just what I'm after in this case. I'm still playing around with amp settings and overall guitar tone, but odds are I'm gonna use a very Satriani-esque tone based off of a Mesa Boogie setting on the Line6 amp. Right now, I'm recording each take using different tones in the hope that I'll end up with a tone I'm really happy with by iteration. As soon as I record one take where I'm really happy with tone AND satisfied with technique and performance, I'll just let go. I'm also debating whether or not to use a volume pedal off of my Line6 Floorpod for the outro, as that would definitely bring back some of the Gary Moore vibes that have gradually receded into the background out since the inception. Some Parisienne Walkways-like volume swells would perhaps make it a little bit Moore like Gary, if ya know what I mean.

Still not sure what to call it - The Loaner is a good start, seeing as how I came up with the first, Gary Moore-like phrases while noodling around and suddenly playing what turned out to be a variation on the second theme of "The Loner" from GM's Wild Frontiers album. Other musical references that I can think of are the aforementioned "Parisienne Walkways" and "Nothing's The Same" - both Moore compositions. If one were cynical, one might argue that all of these Gary Moore songs plus "Still Got The Blues" are minuscule variations on the same theme, but since Moore is a true guitar icon, I'd never do that... Influences outside the realms of Gary Moore can be listed as "Blue" by Yngwie Malmsteen (bluesy instrumental off of his Alchemy album. In addition to my overall adherence to everything Yngwie - including his "More is More" adage - I really love the tone and phrasing here), "The Forgotten part II" by Joe Satriani (from Flying In A Blue Dream - as always the tone is awesome, but more importantly the overall mood here is very much what I was going for) and "Blue Monday" by Vito Bratta of White Lion (from their Mane Attraction album - it's actually a tribute to the recently departed Stevie Ray Vaughan). I really feel that I restricted the technical aspect - no technique for the sake of playing fast. We'll see how that plays out.....

It'll be done soon.....

Dos Movies del Muerte

Two movies seen lately:

The Bourne Ultimatum (2007)
Totally awesome from where I stand. Nothin' but net - all y'all dweebs who keep insisting that James Bond is da bizzomb better realize that there's a new sheriff in town - Matt Damon and Jason Bourne. Whether or not they're gonna release more Bourne movies is immaterial.

Mr. Brooks (2007)
Schizo movie starring Kevin Costner, William Hurt, Dane Cook (unless you've watched Comedy Central, totally unknown, I guess), and *sigh* Demi Moore. Costner portrays businessman who leads a double life as a serial killer. Demi Moore is the cop assigned to bringing the "Thumbprint Killer" to justice. Not only that, but the role Demi portrays is a stereotypical "won't bow down to the brass, in divorce negotiations, refuses to have a partner badass ultraloner cop" - a concept which was tired and overused already in the late 70's. The fact that a woman uses the same cliches typically reserved for Clint Eastwood doesn't make it original, or cool for that matter.

Jason Bourne totally rules!

Public speaking

You know that old and tired joke about 75% of people fearing public speaking more than they fear death, so technically you'd be doing somebody a favor if you offed him or her the day before the scheduled public appearance? Anders - you heard a minor variation on this in August, from what I recall. As did I.........

I'm starting to think it might actually be true, as an inordinate percentage of people appear to be seriously affected by the prospects of having to face an audience. A LOT of passive voicing in that there sentence - I know. Still; the fact remains - way more people than I thought struggle with public speaking. Worst of all, some of these people flat out fear public speaking although it's an integral part of their job. Hypothetically, if you were a faculty member at a university in Norway, 50% of your job description consists of teaching, which means having to stand in front of an audience for a bunch of hours every week. Plus you have to factor in all the presenting and parading that comes with the research part of your job. So if you get physical reactions to public speaking - as I've seen (again hypothetically speaking) more than one permanent staff member do over the last year - then why in the blue hell would you want to have this job? No job is flawless, but if you absolutely hate and fear approximately 50% of your job, you should SO quit and find some other avenue of life in which to use your talents - somewhere you don't have to fear going to work. I guess a certain tension before going into action might enhance performance - what the hell do I know, but if you're pale, your hand is unsteady and your voice is trembling while you're obviously sweating profusely, I refuse to believe that you are "all that you can be".

Why I started thinking about this? I witnessed final-year student presentations today...

TGIF

Getting closer

Nearly there now............final year student report almost graded (deadline Tuesday), fifth-year student presentations to be observed and evaluated (two and a half hours tomorrow), one more exam to make and carry out on one branch of molecular spectroscopy (Monday), and then........

...some time to write scientific articles before Christmas. AKA Equation and Moreover Time (E&MT).

I might even have time to read up on some theory before Christmas. Big Whoop!

Carlos Mencia in da hizzousseeeee

To celebrate the fact that I turned in the last assignment of my pedagogic course, check out this here clips of Carlos Mencia.

Disclaimer: If you're easily offended, you might want to stay clear of them here jokes.


Don't say I didn't warn ya

T minus one

I made it through what I hope was my last all-day pedagogical seminar! I did my 30 minute-presentation, report was handed in last Friday, I participated in the room discussions, and overall did my part. Now all that stands between me and my pedagogic diploma/degree is a 2000 word reflection memo on what I've learned. Seeing as how I'm good at piling on the words, I should be done with this memo by lunchtime tomorrow, at which point my debt to academe has been paid in full.

As long as I skimp on the honesty and lather on the political correctness I'm so known for, this should be a walk in the proverbial park.

Trials and tribulations of travel

Can you believe it - yet again we got snake eyes in the rental car lottery and ended up with a french car - a citroen c4. I can only speculate that this particular car was given its name from the fact that c4 has about the same odds of blowing up on ya.

As soon as we got the car at Bergen airport Flesland, we were puzzled by the fact that the c4 was supposed to be in the "Golf" class despite the fact that I had a really hard time fitting behind the wheel. Even in the way-back position, my legs were severely squeezed between the seat and the steering wheel. Way back in 2001 and 2002, we used to rent a Nissan Micra for our Norwegian vacations which had way more legspace than this freakin' piece of french "engineeering". Not only was it small, it was damn small.

This particular car had a number of features not mentioned in the brochure, including: side-view mirrors not adjustable by other means than by pushing/forcing each mirror to its desired position (using the electric controls only resulted in the mirrors being retracted into their parking position, regardless of which way the controls were manipulated), electric window being locked in the "down" position (which is a slight disadvantage in Norway during December), the windshield wiper locking up sometimes (that's a real treat when the thing won't freakin' stop), a "parking sensor" which started screaming and beeping whenever the vehicle would get within a five-meter distance of another object, and another "convenient" sensor which starts beeping and complaining plus displaying "Risk of ice" whenever the temperature would drop to or below three degrees Centigrade - yet another plus in wintertime Norway. Not to mention that it ranked somewhere between cardboard and styrofoam on the hardness/durability scale. Whenever we would do something drastic to the external structure of the "car", like close the doors, the exterior would ripple. In short, we've had a bunch of different rental cars over the years, including the brands Peugot, Renault and Citroen, and let me say that without a shadow of a doubt, Renault and Citroen are the worst cars I've ever driven. Ever.

On our way back to Trondheim, our flight was - surprise, surprise - delayed. More specifically, it was two hours delayed due to "incoming aircraft being late", which turned into "technical problems". To pass the time, I I took a second stroll past the two-bit scum-of-the-earth douchebags who have frequented Norwegian airports lately with their incessant credit-card offers. "Excuse me - do you use Visa?" Apparently, they weren't prepared for my response: "No dude - we're paying for all our transactions with pearls of glass and polished sea shells".

Norway's Got Talent

In a staggering display of Grand Theft Originality, the Norwegian TV network TV2 is gonna launch the same concept as "America's Got Talent" - named "Norske Talenter" (Norwegian Talents). For those of you not familiar with the concept - it's a talent show which compiles all the essential aspects of Idol, Celebrity Dancing and other shows. They claim that if you've got some kind of talent, you can audition and possibly have the chance to win half a million NOK. As has been proven through the American version, you can get pretty damn far if ya can freakin' juggle, so they might be right about this one. Still keeping with the American tradition, the Norwegian judging panel is going to consist of a bunch of has-beens - like "comedian" Thomas Gjertsen. For reference, the American version has David Hasselhoff, some dude with a British accent and Brandy of the 90's sitcom Moesha. Big whoop.

Auditions for this show start in January, so it'd almost be interesting to show up claiming "bionanotechnology" as my talent. Or claiming to have downright demonic skillz in statistical thermodynamics.

Other talents I'd like to see on the show include:

• Owning people on da intanet
• Ability to drink hot coffee really fast
• Biggest ego-to-skills ratio
• Meditation
• Frequently abducted by UFOs while sleeping
• Biggest realtor douchebag
• Championship level comb-over
• Ability to re-enact scenes from Lord Of The Rings or Monty Python
• Most rambling anecdotes
• Worlds largest midget

Other "talents"?

loooooooser

Freakin' Thieves

Did ya know that if you rent a car through teh internet using, say, Hertz, you can give the nice rental company folks your flight number so that they can make sure you get your rental car when your flight arrives? That's massive cool, especially if - again hypothetically speaking - your flight was scheduled to land dangerously close to the far end of the opening hours of said enterprise. That way you can get the service you've procured even if your flight is delayed, or if your flight arrives with zero time between touchdown and closing of the rental car service.

What the Hertz - and other rental agencies, I'm sure - web pages do not inform you of, however, is that they have an additional fee of 300 NOK + 25% tax if you use their connect-to-flight service. What the hell? When you shop around for prices at different rental agencies, you want to know all the costs so that you can decide for yourself which company you want to use. For all I know, the other agencies might use higher rates for this service, but that ain't the point - especially seeing as how the opening hours vary between agencies.

Freakin' thieves!

Legendary Iron Warrior of Steel

Tonight as we ventured to our gym to do our thing, we witnessed first hand an Unstoppable Force of Nature. To set the scene - the night was dark and cold. A wind was howling across the gym parking lot, sending icy chills down the spine of us mere mortal gym franchise customers. As we made our way past the counter, up the stairs and into the area designated for weight training, the leg press machine came into sight. The machine was stacked with more wheels than a car chase scene in Smokey And The Bandit - there was nary any room to load more weights onto the machine. We could sense that an Epic Iron Warrior was seated on the machine, the recycled air filled with the electricity of anticipation, and the Mighty grunts and Snorts from what obviously must be a Legendary Conqueror of Steel - no mere mortal would be brave to load the leg press to capacity and expect to wield the excercise with impunity. Although the Brawny Beast was not in our sightline, we just knew that he was a swole monster. Strong was his Steel, Dark was his Mind, Carmine the Ground that he Treads.

With a mighty roar, the Warrior unhooked the safety, and started grinding out reps, all the while grunting and screaming. After completing a mindboggling six reps with 15 cm range of motion, he let the Unholy Weight crash back onto the safety with a mighty roar. The Warrior, whom for his demeanor ought to outsize both Dorian Yates and Lee Priest, arose from the conquered apparatus, invisible suitcases at the ready, and gave the room a staredown whilst sporting a mighty growl.

What did the Epic and Brutal Warrior look like, you might ask.





Wait for it.............











Waaaaaaaaaaaiiiit for it















WAAAAAAAAAAAAAIIIIIITTTT for it










BBBOOOOOOOOOOOOOOOMMMMMMMMMMMMMM!!!!!!!!!! Take a look at this Hunk of Man!!!!

Freakin' nerd! This picture is pretty close to what "he" looked like, though

Everybody Wants Some: The Van Halen Saga

....authored by Ian Christe, and published by the good folks at Wiley in August 2007. I bought it a little while ago after P-gangsta told me of its residence in the campus bookstore.

There are several kinds of rock biographies on the market. You've got the star-struck fanboi accounts that emanate from the drool-soaked (and who knows what else) keyboards of the President, Accountant and Honorary Member of the fanclub of whatever artist or band the biography deals with - unfortunately, I've got an Iron Maiden biography which fits this description to a tee (Run To The Hills - Iron Maiden; The Authorized Biography by Mick Wall and Chris Ingham). Ditto for the overhyped "Hammer Of The Gods" about (fittingly) Led Zeppelin. Then you've got the biographies written by detail-obsessed Overlords of Nitpicking, which do not move forward in any significant way owing to the author's overly detailed descriptions - like Ben Hur times ten. Third, you've got biographies written by fans with some sense of critical thinking, which typically results in awesome biographies (assuming said fan has some writing skillz), like Justice For All: The Truth About Metallica by Joel McIver - I totally recommend it. Other categories include the ghost-written autobiographies which admittedly can be totally awesome like The Dirt or Tommyland (and Crazy From The Heat by David Lee Roth, I wager).

Everybody Wants Some falls somewhere between these categories - the author is definitely a fan, and even spent the time necessary to learn how to play "Eruption" so as to be able to fully appreciate the art and complexity of Eddie Van Halens guitar playing. At times, this biography walks in the shadow of greatness, yet sometimes it strays into the harsh light of mediocrity. What plagues this book the most is its inconsistancies, however; seeing as how the book is made up mostly from interviews from every VH era, the author is not so much to blame as the band members, in particularly the Van Halen brothers Alex and Edward for their fleeting relationship with reality. Still, the author should have pointed these contradictions out instead of glossing them over. Case in point; in parts of the book Edward Van Halen claims that he always sounded like him because he was unable to emulate anyone else - from the earliest cover band days his guitar tone and phrasing was Van Halen. Two pages later, dude's lamenting the big transition from "being, playing and sounding like Clapton" to carving his own identity as a guitarist and songwriter. Also, in stark contrast to the other band members, including the total of three singers which have passed through the at times revolving doors of Van Halen, the brothers Alex and Edward are incapable of admitting that they were at least co-responsible for any of the problems the band encountered. Everything bad that happens is everybody elses fault. When Sammy Hagar was the singer, all the previous problems were due to the former singer - Diamond David Lee Roth, who is arguably the most charismatic frontman in the history of rock. When they got Gary Cherone, formerly (and now yet again) of Extreme, Sammy was the Root of All Evil. During their long period of inactivity, the bass player, Roth AND Sammy were the ones that screwed everything up. Amazing. Sensibility - Thy Name Sho' Ain't Van Halen.

Still, I totally recommend the book if you're into Van Halen - or even Roth - at all.

If ya don't really want answers....

...then don't ask questions.

This is something I'm betting our pedagogic instructors are pondering after they asked us for constructive criticism after today's all-day session. Go teamwork. The head instructor guy might be making a voodoo doll in my likeness as I write this, as I was elected spokesperson for my "team" when it came time to handeth out teh feedback.

And for all their talk about how it's important to give students continuous feedback throughout the semester or academic year, they still haven't assessed any of the assignments we have turned in since freakin' January.

Practice what you preach ain't just a really bitchin' Testament album.

Hope springs eternal

The Norwegian University of Science and Technology (NTNU) has plummeted from second place (behind University of Oslo) to fourth place (now also behind University of Bergen and University of Tromsø) among Norwegian universities, according to a recent ranking. Also, the Norwegian universities have overall dropped a bunch of places on the list. Not so good.

For NTNU, this is quite a wet blanket, as the mission statement according to the web pages is to become one of the top ten technical universities in Europe by 2020. This recent development is hardly a step in the right direction.

This annual ranking from The Times is also somewhat in conflict with the more famous (and some say more accurate) Shanghai-ranking, where Norwegian universities in general do a little bit better. I've got no particular opinion on which ranking is more or less accurate, but I wonder how objective these rankings are and exactly what criteria must be met (and weighted how) in order to yield a high score.

According to the article, the Times ranking is based on evaluation of 1500 industry leaders and 5000 researchers (whatever the hell that means - the wording made it impossible to decipher), the percentage of international faculty members, the fraction of international students, the number of students per faculty member, and the number of citations per faculty member. No mention of how these factors are weighted, and also, other rankings use other criteria. So; what do these riteria mean, and how can they be affected?

The percentage of international faculty members appears to be a good measure of the university status, as it means people are willing to relocate to the country and university in question, presumably because getting a job there is good news for ye olde resume. However, it could also mean that people relocate because they are unable to get faculty positions in their home country, either because the jobs are extremely hard to come by and the quality is very high, or because the system limits the number of senior faculty staff (Professors) like they have in among other countries Germany. Without stating something about the criteria for hiring international candidates compared to the same criteria elsewhere, I'm not so sure how meaningful this factor is. On the other hand, it provides a good measure of the level of institutional inbreeding, but this can also be accomplished by measuring the fraction or eprcentage of faculty members with an education from other universities than where they are faculty members.

Next criterion is the fraction or percentage of international students. No offense, but what the hell kind of criterion is that? In this day and age, where the need for internationalization has prompted large subsidies of international exchange programmes, having international students is simply a way of getting outside funding for the universities involved. Technically, all that's needed is that someone - like the government - allocates funding for exchange between two universities either within a region, like Scandinavia, or between continents. In other words, having lots of exchange students is hardly a measure of quality, unless some other specifications are included.

The number of students per faculty member tells you just that, and can be regulated without concern for quality. Fire half of the faculty members and watch this number increase by a factor of two while saving money. Again, not necessarily a measure of quality, as it does not in any way, shape or form pertain to the quality of either students or faculty members.

The number of citations per faculty member, however, is in my opinion one of the few objective measures of the quality of an academic - as quantified through the Hirsch-factor and other such measures. The number of citations, although linked to field of study for individual researchers, says a great deal when averaged over the entire institution, as it pertains to the number of publications, where the work is published, and also how the articles stack up within the target publications.

But still - how can one rank academic institutions without leaving the criteria wide open for influence?

Economy of Content

Two days ago, I received the "Sum Total" of the immense pedagogical knowledge amassed by us poor mortals from the Infinite Fountain of Wisdom bestowed upon us from our Immaculate Pedagogical Instructors. Specifically, I received the only measurable output of the course besides a nifty diploma - a Collection of the Pedagogical Development Project Reports from my "class". This document is about 200 pages, and after browsing through it, I'm quite frankly amazed by the fact that it doesn't hover above my desk from the complete lack of actual content it contains. Economy of style is a concept that has its place, what I'm witnessing here is Economy of Content, which makes for a very nice slogan but little else.

I can't help but wonder - if I spent the rest of my life searching and travelling around the world - would I find anybody who cared about what's in this document? Apparently I can exclude our instructors, seeing as how I can verify that nobody have actually opened and assessed any of the numerous documents I have turned in since January.

Does this mandatory course serve any other purpose than providing jobs for a seemingly vast number of pedagogic faculty members and their administration? The search goes on.

Golden !!

This is just amazing !!!

la blonde americaine et l'europe
Envoyé par gigistudio dans TV sur wat.tv

Friday fun stuff...

Inventing the wheel. Why didn't I think of that?

And of course, there are so much fun with the Terra case...

And at last, air acrobatics isn't for everyone (from Dagbladet, short commerical before the clip)...


Have a nice weekend, y'all!

Thor is french

After a discussion with Wilhelm, I realized that he didn't know that the nordic god of something, Thor, was french. Actually his real name was Michele Torr (yes Thor was a girl too) . Here her official website.

A medical revolution...

According to Dagbladet, UK has now discovered that homeopathy is a fraud. Apperantly, homeophatic medicin is just water. It also seems that homeopathy How would have thought that...

In the other news: It seems there isn't any green men on Mars anyway, Spice Girls is a constructed group with crappy songs and you really do get fat if you eat all your meals at McDonald's.

Edit:

In all fairness (and since I'm a general nice guy), I should place an link to the homeopaths respons in Dagbladet.

Funny thing: The only "publication" that did not come from a "Journal of Homeopaths'R'U A" or "Advances in diluted water and snakeoil" journals, is a comment (yes, not a publication, but a comment) in The Lancet. And this comment is by a homeopath on a publication that shows there are no difference between placebo effect and homeopahtic medicin. But using the same method, there was a significant difference between the placebo effect and conventional drugs. Surely if you are the leader of the homeopathic organisation in Norway, you should be able to dig up better scientific material than that (i.e. publications in a well know, scientific journal). If there are any...

How I hope this is a joke

Posted on the bulletin board of a Norwegian institution of higher learning (thanks for the tip, Pigeon):

I need a englich teatchher!

I need a english teatesher, my engleish is wery good, bot neads perfektion! youst to tiop everything off, i am now seartching for ein english (lærear) teacher to lern me the perfekt englich. can you add perfektion to my englich, send AN mail to me(meg) ASAP

...and then a student email addy.

Awesome, unless it's an actual ad placed by a student in a Norwegian institution of higher learning, in which case it's freakin' sad. Even if it's an extreme case of dyslexia, this doesn't fly. To paraphrase a famous line from "Pulp Fiction" - Spellchecker motherf*cker: Do you use it?

Not that using a spellchecker guarantees anything, though. In the wonderful book "How to Write and Publish a Scientific Paper" by Robert A. Day, there's a poem which is quite pertinent to this topic:

I have a spelling checker,
It came with my PC;
It plainly marks four my revue
Mistakes I cannot sea.
I've run this poem threw it,
I'm sure your pleased too no,
Its letter perfect in its weigh,
My checker tolled me sew.

Worst songs ever according to 'specialists'

So I googled worst songs ever and I found this link

Damn those guys are idiots: Simon and Garfunkel, Bily Joel, Rem, Europe....
Too princes by Spin doctors doesn't deserve that.

Worst songs ever - candidates

Despite the fact that my taste in music has almost no overlap with the taste of the other regular contributors here, I'm sure that there are songs that are so bad as to transcend the barriers of personal preferences. To test this, I thought we could start a list of the worst songs ever and see if we can drum up a list of, say, ten songs that we all agree are absolute and utter crap. I'll start it off with some candidates - for each candidate vote yay or nay:

UPDATED!!

• Los Del Rio - Macarena (Why is it that only the REALLY crap songs have their own dance?)
• Las Ketchup - The Ketchup Song (Thankfully I lived in the good ol' US when this was a hit, and only heard it on vacation)
• Lou Bega - Mambo No. 5 (I HATED that song with a passion for the entire Summer and Fall of 1999)
• Ricky Martin - She Bangs (Like Anders says - how can you only pick one Ricky Martin song? Still - this one is in my opinion even worse than Livin' La Vida Whatever)
• Jennifer Lopez - My Love Don't Cost A Thing (Toss-up between this and "Jenny From Da Block")
• Baha Men - Who Let The Dogs Out (Thanks for ruining every football - as opposed to soccer - game, ya epic one hit wonder douches)
• Eiffel 65 - Blue (We GET it - dude's blue. End of story - move on)
• Eric Prydz - Call On Me (How annoying can three words strung together and put in a seemingly infinite loop be, you ask? Check out this 2004 monster hit and findeth out)
• Sisqo - The Thong Song (Ohmigawd this is why so many third generation studiogangstas suck)
• N'Sync- Bye Bye Bye (Yeah - move along....buh-bye now, ya epic wankstas. PS: you forgot to bring JT with ya)
• Nelly - Hot In Herre (yet another sagging, three sizes too big sweater-wearing, Lugz-rollin' record company-constructed bandwagon-jumper)
• Vengaboys - We're Goin' To Ibiza (Any song by this group fits in here, but this is much, much worse than their trademark "Boom Boom Boom Boom")
• DJ Bobo - Chihuahua (Dude calls himself DJ Bobo. 'Nuff said)
• Christina Aguilera, Li'l Kim, Mya and Pink - Lady Marmalade (My, my MY how I'm sick and tired of this here song. Can't stand the vocal masturbation goings on presented here and the complete lack of lyrical content)
• 50 Cent - Candy Shop (How did this freak of nature ever get street cred? He got discovered and groomed by Eminem. Plus, his legendary music video formula of Product = (Black Leather Couch + Bottles of Bub + Collection of Booty-Shakin' Damn near Nekkid' Hos + Bling + Hyooge Black Car With Spinners + Bunch Of Loser Tag-Along Buddies Who Try Their Very Best To Look Badass But Probably Work At Mickey D + Jacuzzi) is frantically stereotypical. Plus - how somebody thinks he's all swole is beyond me - dude's a stickman.)
• Aqua - Barbie Girl (From Anders. When this came out, I thought it was a once-over spoof by an otherwise unknown band. Then they released "Dr. Jones" in 1998...)
• Rednex - Cotton Eye Joe (From Anders. Yeah this one's annoying...........)
• Hanson - Mmmm Bop (Anders again. Heeeeeyyyyyyyy....my band used ta' play this one back in the mid-to-late 90's)
• Spice Girls - When 2 Becomes 1 (From the Anders Selection. And I agree - this is even more annoying than Wannabe)
• Wes - Alane (Pigeon's choice. He showed me teh video on Youtube, and yeaaahhhhhh.....it sucketh plenty)
• Inferno - Paris To Berlin (Anders' suggestion. Can't say that I recall this one..)
• Robbie Williams - Rock DJ (Dude has many to choose from. My second choice would be "Let Me Entertain You")
• Britney Spears - Toxic (Can't believe this piece of transplanted trailer park trash hasn't appeared earlier. Oh snap - now I'll have to deal with the psycho Britney fan.....)
• Prodigy - Firestarter (Oh would ya hook a brutha' up.......this one sucks, and unless you're on X or mentally otherwise engaged, it's im possible to get anything positive out of this one)
• Fool's garden - Lemon Tree (We get it - y'all have got yourselves a nice li'l lemon tree.....now hush; begone!)
• Celine Dion - My Heart Will Go On (Pigeon? Not sure if this is one of the worst ever, but sure - let's include it in teh preliminaries)
• Billy Ray Cyrus - Achy Breaky Heart (There's country music, and there's Billy Ray Cyrus)
• Marilyn Manson - Beautiful People (The only MM song I remember the name of..)
  

Californication

Hey Pigeon!

As per your wonderful insight I watched an episode of Californication because - according to your estimation it did have a story beyond T&A and sex.

No dice, tiger - two minutes didn't pass without a mention of cunt, buttplugs, blowjobs, coochie, etc. And no person exited a scene without either wandering off to get laid or to masturbate.

If ya still stick to your hallucination that this show actually carries a storyline, then I guess you refract reality through a different lens than us mortals. I respectully decline the invitation to join in your hallucination, "big guy".

Paganini shuffle part II

The technical aspect of the caprice is progressing albeit slower than ideally. Buying a house will do that to you. Also, I've been uncharacteristically preoccupied with a Gary Moore-esque blues instrumental I've been toying with. For some reason, I can't play for more than ten minutes without slipping into this tune. It even keeps developing - it started out as a poorly disguised rip-off of The Loner/Still Got The Blues/Parisienne Walkways/Nothing's The Same, but now it's a completely different animal altogether.

But back to Paganini 24 in Am. Besides practicing the variations, I've been trying out different guitar tones, which turns out to be more difficult than I expected. The main problem is that I want one guitar sound throughout, and I've come up with suitable tones for the different variations. My main Yngwie Plus overdriven violin tone works well for the picked and sweeped sections, but it's crap for the fingerpicked section - too much distortion and not enough bass. My "Midnight" tone that I stole off of Satriani is great for the tapped chordal passages, but craps out for the other variations - too much delay and reverb. My ultratight, compressed Symphony X tone works like a charm for the MR tapped section, but sounds too sterile for the majority of the variations. Whenever I try to find a happy medium, I end up with a tone which has none of the desirable qualities, but rather sounds stale and bland. I COULD opt for a clean, "wet" tone, but that spectacularly fails to excite me.

I'll keep at it. I'm not ready to cop out and use the bland, clean tone or worse, several tones yet.

Honest question

With the ongoing riots in Parisian suburbs, I'm genuinely puzzled about a couple of things. Maybe some of y'all can shed some light on this:

• Even in the event that the police is at least partly to blame for the deaths of the two teenagers (who rode a motorcycle without helmets) - why would the suburbian teenagers think that anything good can come out of waging a war on the police? Or more specifically; how dumb would you have to be to think that someone in their situation would benefit from this?
• If the police is appointed Main Adversary by the suburbians - exactly how do they think they accomplish anything by setting their neighbors' cars and houses on fire? 'Cause they don't venture to central areas, but opt to torch their own neighborhood.

One has to question the logic in this. Even from an "eye for an eye" perspective, this is more than irrational. You don't see Palestinians exacting revenge on Israeli invaders by torching the next-door Palestinian kebab shop (or whatever the hell would be the equivalent).

Bring on teh funny...

Just had to post this. I don't know why it fits on this blog, but it does. ;-)

Edit: This one fits well in any blog...

How it should be !!!

Cause I have experienced that kind of idiot in a movie theater

Does piracy in fact kill music?

Anders and myself started to argue about this in another thread, but I think it's more than important enough to warrant it's own thread. In fact, this topic was recently covered by Scott Adams, and can be found here.

I think his post is right to the point, so I'll use some of it to start off the discussion. Here is a summary of Adams' post:

• For successful musical artists, file sharing does little in terms of increased publicity, since they are already famous, but hurts their record sales.
• Many citizens happily adopt a pay-per-song policy, but many, many more would rather not pay at all.
• Proponents of file sharing argue that for the not-so-well-known artists, file sharing can be leveraged to promote a career in music without necessitating backing from a record company, because the publicity leads to more asses in seats for live performances.
• How many concerts have you attended over the last year because you heard an artist's music for free over the internet?
• How many concerts by artists who got famous the old-fashioned way have you attended the last year.

What really irks me is the flimsy rationalization from file-sharing proponents, like a) "we're only taking a small fraction of the already too large profit of big music corporations", or b)"bands like Metallica are just greedy bastards who make way too much money anyways." For a) you have to be an absolute imbecile to be unable to connect the dots between a financial backer, artist revenue and the ability to keep releasing records using high-quality equipment. For b) it ain't up to you to decide whether or not an artist or a record company is making too much money. Especially seeing as how you in fact have no idea what the financial situation of said enterprises is to begin with. But for almost everyone, there exists a subsection of the population who feels that you make too much money.

Please don't be that guy (or gal) who tries to justify downloading/file sharing with moronic logic such as "I don't feel that file sharing is a crime, because I don't want to subsidise Big Corporations who push out a million identical artists but refuse to back True Individuals." At least have the cojones or whatever to admit that you're stealing stuff - don't make it into a Holy Crusade for All that is Righteous. Speeding is also a crime, but most would admit that they do it without throwing a Christ complex into the discussion. Don't even try to tell me that filesharing is noble - just man up to what you're doing. If you make a copy of your own CD and play it in the car, or you rip your CD collection for personal use, and if you put mp3s of your entire CD collection on a hub with 1000 users, we're talking about two quite different things - if you don't see this as separate issues (also in accordance with Norwegian law, actually), then don't even bother.

Some other facts/arguments that might be brought to light in this discussion, but which are typically drowned by strong partisan reasoning: You can identify at least three separate economies for artists based on their size/fame. The primary variables in these economies are CD/DVD/download sales, merch sales, and live performance revenue. Note that these variables are interrelated, so seeing them as separate doesn't make sense. Merchandise and CDs get moved at concerts, etc.

• The well-established artists on major labels, with large fan bases. These artists make a lot of money on both front and back end of CD sales, but lose money/pray to break even on live performances if viewed separately. This is mainly due to the fact that if Rolling Stones go on tour, they bring along 2500 yes-people, 150 trucks, 30 sound engineers, 250 stage hands and roadies, 10 managers, 15 drug dealers, 50 guitar and drum techs, 17 yoga masters, etc. Payroll expenses alone kill the profits for the sheer live performance on big tours. They DO however generate lots of publicity and move merch and CD/DVDs from touring.
• Medium-sized artists with a record deal could be in the zone where they're between markets, and so a few thousand CDs not sold could make the difference for whether they're able to make a living from music. This could probably go either way, though.
• Minor players, especially those without a record deal, can totally benefit from "free" advertising on NRK Urørt" and general file-sharing, as they don't make any money from CD sale. Recording and distributing is freakin' expensive, and so CD's and downloads are used to propel touring/gigging as their source of revenue. A small band bringing along like two people can make an ok living from touring, but there's no way they'll move enouch CD units to justify upscale recording/producing/distributing costs.

Three separate economies based on the size of the bands - and my feeling is that a LOT of artists are in the middle bracket. I know that this is the case for many, many metal artists, who probably won't be able to live off of music if the CD sale goes further down.

Chup approved

The sad thing is that it's true !!!

Left-brained or right-brained

So, apperantly, whether you see percieve this girl as rotating clockwise or counter-clockwise can determin whether you're a left or right brain person. Me-thinks it's a no-brainer: Of course she spins clockwise.

So, what do you people see?

It's been 10 years...

Seeing that we have listed the guitarists that inspired us, it reminds me that this month (the 12th) is 10 years since one of my musical heros passed away, Rainer Ptack. Here' s a clip of him with his band, Das Combo, a track taken from the album release on the 12th this month:

On a side note: This album is available for download on iTunes, Amazon, etc, etc. Yeah, super-excited me though: Now I don't even have to wait for the shipment of the CD! Jippi! But, of course, I should have learned. Every time I'm letting my guard down, faith jumps up and kicks me in the groan. Of course they only let US citizen download tracks from iTunes, Amazon, etc. Those are paid downloads. And the record industry complains about pirate downloads? Djezes...

Freakonomics work!

Friday, we bought a house. We've been on the lookout for a while now, but Thursday we were at the viewing of what appeared to be an ideal house, we put in a bid on Friday morning, and approximately 8:45 PM the deal was done. Fan-freakin'-tastic!

Come March, we won't have to share any exterior walls with anyone else, and we'll even have a hyooge twin garage. Moreover, we'll have almost 1000 square meters of yard, and a wonderful view of the fjord.

...and yes; freakonomics work. We used freakonomics liberally in the bidding strategy, most notably the fact that the realtor makes more profit by moving more objects than holding out for a small increase in asking price. In other words, statistically, the realtors don't really have the seller's best interest in mind, despite what one might think. Even though the goals are common, holding out for a greater bid means diminishing profits for the realtor, which means that he'll have to wait longer to upgrade the lease to a newer/larger model of his or her BMW.

Now to sell the house we've got now....

What should I do ??

I have received this message on my mail box and I really don't know what to do. It seems safe no ?

From:Ms Portia Ama Kwabina
Accra, Ghana.

Dearest,

I got your contact during my search for a reliable, honest and a trust worth person to entrust this huge transfer project with. My name is Ms Portia Ama Kwabina, Branch manager of a financial institution here in Ghana. I am a Ghanaian single mother with a kid. I am writing to solicit your assistance in the transfer of $ 4,550.000.00 Million United States dollars only.

This fund is the excess of what my branch in which am the manager made as profit during the 2005 financial year. I have already submitted annual report for that year to my head office here in Accra as I have watched with keen interest as they will never know of this excess.I have since, placed this amount of $ 4,550.000.00 Million United States dollars only to an Escrow Coded account without a beneficiary (anonymous) to avoid trace.

As an officer of the bank, I cannot be directly connected to this money thus I am impelled to request for your assistance to receive this money into your bank account on my behalf. I intend to part 30% of this fund to you while 70% shall be for me. I do need to stress that there are practically no risk involved in this. It's going to be a bank-to-bank transfer. All I need from you is to stand as the original depositor of this fund so that the fund can be transferred to your account. If you accept this offer, I will appreciate your timely response urgently.

With Regards,

Ms Portia Ama Kwabina



Seriously, who send that ?
and who is stupid enough to agree on that ?

29 Guitarists that have inspired me

Since we're in a Listmania kind of phase, I thought I'd list the 29 guitarists that have inspired me the most. Not only that, but also the 29 guitarists whose style and influence can be heard in my playing. Why 29? 'Cause we're rollin' with that theme, and because it's a prime number. So there. The guitarists are not necessarily ranked in order of importance.

1. Yngwie J. Malmsteen. THE single biggest influence on my approach, technique and tone. All A harmonic minor, sweep picking and Dorian modes. Some of what makes Yngwie unique is that his solos are beautiful even when played slowly - they're not just a bunch of adjacent notes thrown together in order to sound fast. Baroque & Roll!
2. Joe Satriani. The last two years or so, my appreciation for Satriani's ultramelodic approach has really boomed. I find myself using his "pitch axis" theory for soloing, as well as his approach to chordal two-handed tapping a lot. Also, many of his signature licks keep appearing in my vocabulary spontaneously - I'll start playing something out of the blue, and suddenly realize that it's something Satriani.
3. Steve Vai. I've even got his signature guitar, so that ought to tell you something right there. Listening to Vai taught me to play with a certain abandon. Oh yeah; I also stole some of his licks...
4. Gary Moore. Hyooge influence when I started playing. His tone and vibrato are almost unmatched, and I find myself incorporating many of his stylistic elements in soloing, like sections from The Loner, Over The Hills And Far Away and Still In Love With You.
5. Nuno Bettencourt (Extreme). When I started out, I never thought it was possible to play faster and more technical than Bettencourt and Vai, and then I stumbled onto Yngwie. What I really like about Nuno's style, is the fact that he almost never plays the same riff twice without some variation, which is something I really try to emulate. Also, his use of harmonics to spice up rhytm sections is something I strive for.
6. Chris Holmes (W.A.S.P). When I started playing for real, I practiced 10 hours a day trying to figure out "Live...In The Raw" by W.A.S.P. I'm still using many of Holmes' licks for solos (especially the pick-tapped ascending or descending trills), and I absolutely love his way of structuring songs.
7. Dave Mustaine (Megadeth). 90% of the angry, pedal-note based riffs and progressions I come up with are derivations of The House That Dave Built. In my opinion one of, if not THE best rhytm guitar player in metal. His solo style is also pretty amazing, if somewhat chaotic.
8. Magnus Karlsson (Last Tribe, Starbreaker, Allen/Lande). This guy is flat out amazing, and I've really opened up to his way of structuring songs - tight during verses, wide open during the chorus. Also, he has helped me improve my sring-skipping, and has single-handedly restored my faith in Wah and Whammy pedals. Kudos, Magnus - U Da Man!
9. Rolf Kasparek (Running Wild). Not only do I use his signature lick every now and then, but I also find myself incorporating his way of organizing the rhytm structure behind guitar solos. Plus, his melodic approach to trem picking makes for excellent riffs. Under Jolly Roger!
10. Jason Becker (Cacophony, David Lee Roth band). More neoclassical guitar and sweep-picking. My playing doesn't use any of his approach to sweeps, but I use plenty of his soloing concepts. Speed Metal Symphony is a great blueprint for any guitarist aspiring to play fast AND melodic.
11. Al DiMeola. Al, or rather two of his songs, have radically affected the way I play muted scalar runs. Mediterranean Sundance and Race With The Devil On A Spanish Highway. Most of what you need to know about alternate picking and palm-muting right there.
12. Michael Romeo (Symphony X). His tapping style really expanded my soloing repertoire. Also, I love employing his time signature changes and trademark descending chorus progression.
13. Kee Marcello (Europe). For his trills and trademark accellerating descending runs, that tottaly liven up solos.
14. Herman Li (Dragonforce). I find myself stealing ideas from the Force all the time now. Both with respect to harmonized riffs and their unison tapped solo licks.
15. Randy Rhoads (Ozzy Osbourne). For his incorporation of bluesly licks and cyclic, descending runs. Also a little bit because I find myself using a guitar tone close to his every now and then.
16. Marty Friedman (Megadeth, Cacophony). Love his use of oriental scales, and I try to spice up lead work using his approach.
17. Stevie Ray Vaughan. Perhaps the most surprising entry on the list, but his chordal, rhytmic soloing style is something I bring with me every now and then.
18. Paul Gilbert (Mr. Big). 'Cause I damn near can't stop using his signature string skipping now.
19. Luca Turilli (Rhapsody). Whenever I try to make some really epic, symphonic and pompous music - preferably with some Tarantella incorporated, I find myself emulating Luca. Also, I like his way of speed-picking riffs and arpeggiating melodies. And did I mention one of my guitars is identical (save for the color) to the one he used on the two first Rhapsody albums?
20. Kai Hansen (Gamma Ray). Through him, I've picked up the essential power metal song and riff structure (check out Future World or Follow Me for a primer), and have realized that main riffs don't need to be played on the lowest strings to sound heavy.
21. CC Deville (Poison). For a primer in the use of G-Cadd9-D for power ballad purposes, and his dramatic high-to-low solo changes.
22. Timo Tolkki (Stratovarius). 'Cause I like using his approach to riffs and fills - what he refers to as hypermegaspeedpicking (yeah; that's actually what he likes to call it). Plus, his use of doublepicking in solos helps create tension and interest.
23. Vito Bratta (White Lion). For his use of counterpoint in solos. Dude's so incredibly underrated...
24. Eddie Van Halen (Van Halen). Not for his soloing style, and not for his tapping (can't stand to tap using his approach), but for his free-form approach to rhytm, where his fills mirror the lyrics.
25. Johnny Öhlin (Dionysus). For his tone and storytelling solos. Also because he has transferred the neoclassical style of guitar to the power metal form. Awesome!
26. Alex Skolnick (Testament). For showing how inserting soft, melodic solos in very hard metal can enhance both the soft and the hard aspects of the music without diminishing either.
27. Kiko Koureiro (Angra). I love his incorporation of chromatic licks in his solos, and the widel-interval legato licks.
28. John Sykes (Whitesnake). Double-picked rhythmical ideas, like the ones found in "In The Still Of The Night"
29. Ronni Le Tekrø (TNT, Vagabond). For his use of machine-gun picking, i.e. heavily muted tremolo-picked structures combined with legato hammer-on/pull-offs.

Anders?

My favourite artists or bands

After the list given by the norwegian newspaper of the biggets rock front figures, I thought that it would be fun to propose a list of my favourite artists, in solos or in bands.
I know that, by doing that, I seriously open a valve of sarcasms and criticisms but I must be masochist in a way so ... let's roll !!!!!!!!!!!my 29 favourites bands. If I have to make the list tomorrow, some would probably change though.

Radiohead: OK Computer is the perfect album. I've listened to that album at least 1000 times and I still like it.
REM: The perfect band. All the albums are good. Some are just excellent.
Massive Attack: The inventors of trip hop. perfect for the end of an evening
David Bowie: what can you say about him. Just the class. i had the chance to see him in concert in 2002, and I will remember that night for a long time
Damien Rice: just beautiful
EEls: My youth.
Interpol: The renew of indie rock
Smashing Pumpkins: indie rock at his best. Mellon Collie and the infinite sadness is such a great album. Also saw them in concert and it was just great.
Jeff Buckley: Bought his album more because it was cheap than a real envy and it was such a nice surprise. i still listen to it with real pleasure.
Queen: They made some bad songs in the 80's but so many good ones in the 70's.
Neil Young: the perfect career.
Arctic Monkeys: those kids rock !!!
Supergrass: super cool
Led Zeppelin: i don't care if they stole eveything v to da v.
Noir Desir: THE french rock band. With intelligent lyrics (some songs are in english, so you should try)
Air: Don't listen to journalists , french electro is Air not Daft Punk. The two bands are from my home city (Versailles)
Iron Maiden: Also my youth. but still a guilty pleasure. Will see them in concert next july.
Serge Gainsbourg: His 70's period is so great. That guy was a genious
Groove Armada: English electro.
The Beatles: because they invented everything
The Chemical Brothers: English electro too
Pink Floyd: Some concepts albums just perfects
Pulp: Jarvis Cocker is a fanatastic song writer
Arcade Fire: very energic band
The Strokes: they always play the same song, but I don't care I like it.
Venus: The best belgian band
Marvin Gaye: Is it possible to not like him ?
Garbage: Yes I like Garbage !!!
The Pixies: My youth again !!

R2-D2 guitar...

So, while reading Dagbladet online today, I notice this little clip (or, to be honest, commercial from Gibson) about the new robot guitar from Gibson:

Is this just me, or is this a whole bunch of electronics to "correct" a problem (tuning your guitar) which isn't really a problem at all? Yes, there are many people that never learn to play guitar, but not beeing able to tune the guitar has never been the main reason. Also, I you master all those tunings on the guitar (standard, open E, open Em, open G, DADGAD, double drop-D, etc), you are not really a novice on the guitar. And the beginner is the only player I could see benefit from this.

School of Hard Knocks

Have you checked out the ongoing story about several municipalities/communities in Norway having been screwed by Terra Securities? If you haven't, here's a short summary (the link being to an excellent summary in Norwegian):

• This summer, Terra Securities and four municipalities in the nothern parts of Norway - Rana, Hemnes, Hattfjelldal and Narvik, made an investment deal for about 451 MNOK in registered Citibank bonds.
• The investment is mortgaged against future electrical power revenue and has been used as security for loans.
• Should the value of the bonds drop below 55% of the value at date of purchase, the municipalities need to provide more capital.
• The bonds have done just that, necessitating capital injection of 84 MNOK in September, and now requiring further investments - it's a black hole, essentially.
• The broker - Terra Securities - claim that they only acted as "advisors" for the municipalities.
• The local government in these municipalities only read the documents translated (from English to Norwegian) by Terra Securities, i.e. the seller before signing the contracts.
• The municipalities only read the original, English documents (which were available to them prior to the signing) after problems emerged on the horizon, because at the time of signing "they saw no need to read the same documents in two languages", even though the translated version was provided by a party with stakes in the deal.
• Terra Securities conveniently "forgot" to translate the sections detailing that this was a high-risk venture. All Terra Securities told the municipalities was that this was high profit.
• The municipalities now stand to lose all their investments, and there are obvious legal issues to be taken care of.

This is one of the best examples I've ever seen on why giving more money to local government instead of providing capital from a central source is a bad idea, because in this case, local government obviously consists solely of low-IQ losers who only have a fleeting relationship with reality. To paraphrase a Simpsons episode, a small community with a lot of money is like a giraffe with a computer. Nobody knows how it got it, and damned if it knows how to use it. If a small set of communities can dump more than five hundred MNOK into a high-risk investment deal without even checking the paperwork properly before they sign, then don't you DARE have old school buildings, hospitals, etc., and especially STFU about asking the government for more money. This is a lot of people's tax money they're dealing with also. One small municipality that I know of once spent a lot of money upgrading a very small section of one byroad to ridiculously high standards. The result: They didn't have money for plowing snow that winter.

Calling into play my Powers of Deduction, here's a play-by-play of the situation that took place this summer in four municipalities.

1. Some Calvin Klein Obsession-drenched dude in a cheap suit and a large-series BMW rolls up to the town hall, hands out some business cards and asks: "Say; would y'all like to make an investment that will yield phantasmogorgical profit for no risk whatsoever?"
2. The mayor and his or her stooges spit out the straw in the corner of their mouths and drawl "uuuuuuhhhhhhhh...yeah, Mr. Slick Polyester Hugo Boss Suit Man with the Expensive Leased Car Outside.....you sure look like you know what you're talking about."
3. Slick BMW Douchebag (SBD)says "Super! As soon as you've signed this here deal, this little hick town will now be on the map, I tells ya. All you have to do is mortgage all your future electrical power revenue."
4. Local Government Losers (LGL): "Uuuhhhhhhhhhhhh...dat sho' nuff wud be swell, boss. 'Cuz dis heah place sho' cud need some puttin' on a map. Now you wudn't be foolin' us dumb local politicians and paper-pushers, now wud'ya?"
5. SBD: "Why I've NEVER... Tell you what; I'll even let you look at some papers BEFORE you sign them as a sign of good faith."
6. LGL: "Duuuuuh.....dat be great, Boss. We didn't fall off no turnip truck yesterday, ya know."
7. SBD: "Sure you didn't. Tell you what. To sweeten the deal, I'll even offer to translate the documents for ya, so you don't have to struggle with them big, English words and stuff. No need to read the same document twice, right?"
8. LGL: "Uhhhhhhhh.......U da man, Boss. Cuz' it be da same document, and reading it in two different languages audn't make no sense, 'specially seeing as how nobody in dis here local administration speaka da English. Do y'all in charge of finances in dis heah municipal see a problem with signing a document based on a translation of da original terms proposed by da sellah of said investment deal without checking that the translation is in fact correct?"
9. Community college flunkout loser local finance people in unison: "If the document is translated, it HAS to say the same, just in a different language. We learned dat in school. Oh, and we also did learn something about trojans and gifts, but we never got condoms for presents, so we never figured out what it was. We also learned something about supply and demand, but we've forgotten what, exactly."
10. LGL: "You slick, larger-than-5000 inhabitant-city bigshot have gotten yerself a deal if y'all can provide us with da document in question. We sho' got no problem mortgaging our future against your risk-free, high profit investment."
11. SBD: "Sweet. Now just sign this here."
12. Mayor/LBL: "Uuuhhhhhh....like at da bottom of dis here blank page, ya mean?"

Shortly after the deal is made (approved by the people who have finance educations and whatnot) the investment turns out to be a high-risk loser-trap, and the municipalities go "Uhhhhhhhh da douchebag done screwed us. How cud we have known. Who wud've thought such a thing about someone who had so nice bidness cards."

Imbeciles. No $hit Terra Securities are crooks, but the people in charge should have seen that coming from a mile away...