...but as close as I'm likely to get within the confines of my taste in music.
At the very least it's played with a clean(ish) sound and at a relaxed tempo. This is one of my favorite chord progressions: Bm - Bm/A - Bm/G - F#, which also just happens to be one of the progressions often used in the music of Yngwie Malmsteen.
Imagine that.
The melody is in the key of *shock* B harmonic minor, in the unlikely event that any readers of this blog would be interested in laying down their own tracks to this fantastic progression
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9 comments:
..happens to be one of the progressions often used in the music of Yngwie Malmsteen
What a coincident! Who would have thought that!
Would be cool to hear if you build more around this track, though.
..you mean thematically, or in terms of layers?
I was thinking layers, but thematically would be cool too. Now that you mentioned it.
:-D
Actually I like the simplicity of one semi-clean track only for this melody line. I tried some countermelodies and stuff when I recorded this, but to my mind - albeit just one white man's opinion - additional layers cluttered the tune.
I'm working on a more Yngwie-esque instrumental over the same progression at the moment though. The new one will have bass, one rhythm track and the lead, in addition to a guest performance by my spectacular drummer
additional layers cluttered the tune.
Yes, that was my thought as well. I really liked the dynamics of the song, adn thought that the quiter parts shouldn't be filled up with sounds. So I was a bit curious of what you would have done to it. If you would add more to it.
In any case, I know we both agree that adding foot-tapping and harmonic is never wrong.
:-D
...tapping and harmonics always add to a song, I agree with that :-D
Damn. Epic mispelled joke fail...
..height it when that happens
LOL!
Good one, gov.
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