Tuesday, November 18, 2008

A fool and his/her money are soon parted

Who'd have thunk it - there are definitely people who fall for the Nigerian email scams. Even worse, there are people who not only fall for it, but later flag their stupidity by making news out of it.

Woman out $400K to 'Nigerian scam' con artists
SWEET HOME, Ore. – Janella Spears doesn’t think she’s a sucker or an easy mark.

Besides her work as a registered nurse, Spears – no relation to the well-known pop star – also teaches CPR and is a reverend who has married many couples. She also communicates with lightning-fast sign language with her hearing-impaired husband.

So how did this otherwise lucid, intelligent woman end up sending nearly half a million dollars to a bunch of con artists running what has to be one of the best-known Internet scams in the world?

Spears fell victim to the "Nigerian scam," which is familiar to almost anyone who has ever had an e-mail account.

The e-mail pitch is familiar to most people by now: a long-lost relative or desperate government official in a war-torn country needs to shuffle some funds around, say $10 million or $20 million, and if you could just help them out for a bit, you get to keep 10 (or 20 or 30) percent for your trouble.

All you need to do is send X-amount of dollars to pay some fees and all that cash will suddenly land in your checking account, putting you on Easy Street. By the way, please send the funds though an untraceable wire service.

By this time, not many people will fall for such an outrageous pitch, and the scam is very well-known. But it persists, and for a reason: every now and then, it works.

For Spears, it started, as it almost always does, with an e-mail. It promised $20 million and in this case, the money was supposedly left behind by her grandfather (J.B. Spears), with whom the family had lost contact over the years.

"So that's what got me to believe it," she said.

Spears didn't know how the sender knew J.B. Spears' name and her relation to him, but her curiosity was piqued.

It turned out to be a lot of money up front, but it started with just $100.

The scammers ran Spears through the whole program. They said President Bush and FBI Director "Robert Muller" (their spelling) were in on the deal and needed her help.

They sent official-looking documents and certificates from the Bank of Nigeria and even from the United Nations. Her payment was "guaranteed."

Then the amount she would get jumped up to $26.6 million – if she would just send $8,300. Spears sent the money.

More promises and teases of multi-millions followed, with each one dependent on her sending yet more money. Most of the missives were rife with misspellings.

When Spears began to doubt the scam, she got letters from the President of Nigeria, FBI Director Mueller, and President Bush. Terrorists could get the money if she did not help, Bush’s letter said. Spears continued to send funds. All the letters were fake, of course.

She wiped out her husband’s retirement account, mortgaged the house and took a lien out on the family car. Both were already paid for.

For more than two years, Spears sent tens and hundreds of thousands of dollars. Everyone she knew, including law enforcement officials, her family and bank officials, told her to stop, that it was all a scam. She persisted.

Spears said she kept sending money because the scammers kept telling her that the next payment would be the last one, that the big money was inbound. Spears said she became obsessed with getting paid.

An undercover investigator who worked on the case said greed helped blind Spears to the reality of the situation, which he called the worst example of the scam he’s ever seen.

He also said he has seen people become obsessed with the scam before. They are so desperate to recoup their losses with the big payout, they descend into a vicious cycle of sending money in hopes the false promises will turn out to be real.

Now, Spears has gone public with her story as a warning to others not to fall victim.

She hopes her story will warn others to listen to reason and avoid going down the dark tunnel of obsession that ended up costing her so much.

Spears said it would take her at least three to four years to dig out of the debt she ran up in pursuit of the non-existent pot of Nigerian gold.


..........

Monday, November 17, 2008

Trivium - Anthem (We Are The Fire)



This is one of those total crowd pleaser anthems like "Raise Your Fist". The video even works for this tune. As a matter of fact, if your band is able to pull this tune off with confidence and skill and the crowd doesn't get behind it, the crowd completely sucks. Either that, or you got booked as the opening act at a Donna Summer or "Whiny-singer-songwriter-with-acoustic-guitar-reading-her-diary-over-a-minor-chord-progression" festival.

Damn - why didn't I write this tune? Turn your backs on your enemies and let the motherfuckers rot in their jealousy!

Edguy - Tinnitus Sanctus


Finally got my hands on the latest release from German power metallers Edguy. Quite frankly I was surprised that they had managed to eke out a new studio effort considering that singer and songwriter extraordinaire Tobias Sammet released a new studio album with his solo project Avantasia this Spring, followed by extensive touring. A quick look in the booklet made me even more impressed, seeing as how Tobi has written every single song on Tinnitus Sanctus unassisted. Dude is productive, and frankly, the songs on previous releases that were co-written by other band members tended to be of somewhat lower quality.

After the first round of listening, I was somewhat disappointed, as Tinnitus Sanctus doesn't flaunt instant classics such as some of the songs on Rocket Ride such as "Return To The Tribe", "Out Of Vogue", "Superheroes", "Save Me", "Trinidad" or the hilarious bonus track "Fu*king with Fire (Hair Force One)". Moreover, there are fewer by-the-numbers German power metal tunes than what can be found on Edguy classics such as Vain Glory Opera (the title song from which is very "influenced" by a certain Europe song. So much so, that Tobi often introduces this as Vain Glory Countdown during live performances). Having listened to the album two more times while doing data analysis, I'm completely turned around. Tinnitus Sanctus really has grown on me, and the songs are consisteltly very good, with the trademark Edguy hooks and anthemic chorus sections. Tobi is one of my favorite metal singers, with his wide vibrato and Michael-Kiske-at-a-lower-pitch vocals. Dude's a really good songwriter as well. The only weak link in Edguy is the lead guitar player.

At this stage, my pick for the best songs on Tinnitus Sanctus would include "Sex Fire Religion", "The Pride Of Creation", "Thorn Without A Rose" and the fantastic "Speedhoven".

Screw the "No major chord progressions in metal" douche crew with their tribal arm band tattoos, trucker tans, beer bellies and Slayer tees - Edguy rocks!

Saturday, November 15, 2008

GQ4: Deguello - Rounds 7 and 8

Deguello - the final two rounds all in one, no bonus point. The reason for this is the sneaking suspicion that the thematic content of round 7 (songs 211-215) would result in meager results. The theme of round 7, you see, is European Power Metal. Meaning that all of the bands are European or at least based in Europe. Consider round 7 to be a possibility to obtain ten possible bonus points in addition to the final, very standard round 8.


Submit your answers to mfactorquiz (at) gmail.com by the end of Monday 112408. Each song holds the potential of two points - one point for artist and one point for the song. Answers will be posted on Tuesday 112508.
Song number 211:



Song number 212:



Song number 213:



Song number 214:



Song number 215:



Deguello - Eighth round.



Song number 216:



Song number 217:



Song number 218:



Song number 219:



Song number 220:

Results GQ4: Deguello - Round 6

This round had a somewhat lower average score than what I anticipated. The songs were:
  • Song 206: Michael Sembella - Maniac. She's a maniac, maaaaaaaniac on the dance floor...and she's dancing like she's never danced before.......from the otherwise crappy movie Flashdance, of course. The main lick here isn't exactly made for guitar, so I had to tap that sumbitch. Seeing as how the fantastic Greek true/power metal band Firewind has made a cover of this tune, I added the somewhat heavier backing track. The note-per-second expanded lick towards the end I added because I felt like it. So there.
  • Song 207: Rainbow - I Surrender. The solo from "I Surrender", to be more precise. None of y'all were even close here. Ritchie Blackmore can't get no love from youse people?
  • Song 208: Scorpions - Winds Of Change. Most of y'all managed to follow the Moskva down to Gorkij Park, listenin' to the winds of change. In the mid 90's, I was beyond tired of playing this tune. Still am, as I discovered when I recorded this.
  • Song 209: ZZ Top - I Need You Tonight. Awesome tune, and hellishly difficult to nail the rhytm guitar sound without getting too much frequency overlap with the lead. Didn't quite manage, as Anders can testify to.
  • Song 210: Santana featuring Rob Thomas - Smooth. Megahit from the time when latino pop/rock and Creed reigned supreme.
It's reckoning time, and the Round 6 scores are to be doled out:
  1. Torbjørn a.k.a. T-bombz (6 points)
  2. Pigeon (5 points)
  3. Anders (4 points)
  4. Cathy (3 points)
  5. Sondre (2 points)
  6. Marius (0 points)
The total score
after round 6 looks like this:
  1. Sondre (34 points)
  2. Torbjørn a.k.a. T-bombz (33 points)
  3. Pigeon (30 points)
  4. Cathy (28 points)
  5. Anders (25 points)
  6. Marius (18 points)
Congrats to T-bombz
and good luck with rounds 7 and 8!

Friday, November 14, 2008

Mötley Crüe - Dr. Feelgood

This 1989 album is considered by most - including the band members themselves - to be the best Mötley Crüe record so far, and probably ever. personally, I think it's the only Crüe record worth a damn, which might go a long way to explain the complete absence of Crüe records in our collection up until this purchase.

This record came out approximately at the same time as I started listening to heavy metal, after a very good friend gradually introduced me to heavier side of music. He started with Doro (the former singer of German HM band Warlock), progressed via Lita Ford, Alice Cooper and Poison to Mötley Crüe, softening me up before exposing me to Iron Maiden, Dio, Running Wild and W.A.S.P. After that, there was no turning back.

The actual purchase of this record - as opposed to borrowing it from any of the many friends who already owned this album - occurred after I'd read "The Dirt", "Tommyland" and "Heroin Diaries", and so the backdrop for the songs was much clearer than it was when I last listened to this album in the mid-to-late nineties. This is THE album where they were clean, and when they at least semi-functioned as a unit. Never was much of a Crüe fan, but I used to like this album a lot.

Listening to it now, I still like it - especially the production - but there are some glaringly obvious flaws I really wasn't aware of back when I first heard it. First of all, Crüe by and large suck on their respective instruments. Well; Nikki Sixx and Tommy Lee do minimalist work on bass and drums, respectively, so they're not really trying. Hardly groundbreaking. Vince Neil has overdubbed his vocals so much that it sounds full and on average within the target pitch, although with a wide spread. Mick Mars is an old-school bluesy minimalist who covers himself up by using gobs of distortion and Def Leppard-esque numbers of overdubbed layers. Dude plays slide on several tunes, and it's pretty obvious that he's more at home doing stock blues and chordal licks. The solos ain't much to write home about - Mars does attempt some basic tapping in order to speed things up on some occasions, like the solos to the title song and "Slice Of Your Pie". Have to admire the producing skillz of one Bob Rock, who introduced pitch and layering to Crüe and bass to Metallica. Still; where Nikki Sixx gets off dissing other bands like Poison for their musical performance is beyond me. Crystalline courage perhaps?

The style of music ain't hardly original either, despite Sixx's claims to the contrary. As a matter of fact, if it wasn't for the amounts of distortion and processing, this would've been difficult to distinguish from classic/old school rock bands such as The Sweet, Slade, Status Quo or Nazareth. Blues-based, 4/4 and stock all the way. Some tunes, like "Don't Go Away Mad" even sound like a hybrid between Eagles and Smokie. Most of these songs are excellent for swing, which sorta' tells you they're not griundbreaking from a stylistic point of view. And it doesn't take a musical genious to figure out that "Kickstart My Heart" - an excellent party tune in it's own right - is a blatant rip-off of The Sweet's "Ballroom Blitz". Oh well.

So the musicians haven't contributed anything new to the scene, and the songs are indistinguishable from older acts but for the amount of fuzz. So what's left is the lyrical content, right - the area in which Nikki Sixx swears he's top-notch? Weeelllll....let's just say that the more frequently you fill entire lines with "Oh baaayyybeeeeee", "No no no" and even worse; "No no yeah" (as in "SOS"), the less likely you are to be named in the same breath as lyricists like Springsteen and Billy Joel. Not to mention that artists typically known for their song-writing abilities don't usually write songs like "Slice Of Your Pie", "Sticky Sweet", "Same Ol' Situation", "She Goes Down" and "Get It For Free" and put them all on the same album. If anything, I personally think that bands like Poison, White Lion and Warrant write far superior lyrics to what Nikki Sixx has rattled off. On the song-writing spectrum of heavy metal, Sixx is way more likely to have Joey DeMaio of Manowar on speed dial than he is to have frequent talks with Dave Mustaine or Blackie Lawless.

At the end of the day, Dr. Feelgood is a great party album, but nothing more. Then again; not every album has to be about something or possess world-class musicianship.

Thursday, November 13, 2008

Sudbø's sister in crime?

So, it seems there is a new research scandal rollin' up in the Norwegian scientific community. This time around, it's "diet doctor" Grethe Støa Birketvedt, a MD with a Phd from Tromsø University, which according to an article in VG has promoted her honorary professorship from Albert Schweitzer University in Genèva on several occasions. The Albert Schweitzer University (ASU from now) is a purly fixtional university that sells "academic" degrees and diplomas, without any legal right to do so. All of ASU's activity is from a small office in Madrid (read: a cubicle with a computer and color printer), and is not registered at all in Genèva.I n her defense "dr" Birketvedt says that ASU might have mislead her, since she only got the diploma sent to her by postal mail, and if ASU is purly fixtional, there are several other people around the world who also have been mislead. Yeah righty. How many serious universities demands that people pay for their honorary professorship? And then sends you a diploma in the mail? With a PhD, you would assume "dr" Birketvedt had enough brain power to figure this out.

But wait, there is more. Birketvedt's resume is full of awards that it's impossible to verify (i.e. fixtional), and VGshows some example:

1999: International Woman of the Year. She first claimed to have gotten
this from "American Biography Association", but later "corrected" this to "The
International Biographical Centre of Cambridge i England"

1999-2000: Intellectuals of the Year. Later corrected to "Intellectuals of
the World".

1999-2000: Outstanding People of the 20th Century. Given to her by The
International Biographical Centre of Cambridge.

2000: Gold Medal in Science and Peace, Albert Schweitzer International
University. She later change the name of the medal to "Conmemorative Medal", but
still from the "prestigous" ASU...


She was featured as a diet expert in VG's "Vektklubben.no", and due to her suspicous resume, VG ended their co-operation with "dr" Briketvedt.

And there is even more. Her PhD is real enough, it's from 1995 in Tromsø. But one article, published in British Medical Journal, the editor was really suspicous about the content. However, acording to an interview with Dagbladet he couldn't prove that the data was fictitious, so he had to publish it. Nobody has later been able to reproduce the results from the article, and the conclusions have been deemed faulty.

I will follow this case and see what comes out of it.

Edit:
VG has done a follow up.
Check out the home page of the Albert Schweitzer International University for some fun reading. It even has links to more fake institutions!

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